《Monster Hunter Stories 2: 破滅之翼》登場角色介紹1
-主角:在位於常夏之島上的馬夏那村長大的新手騎士。是曾與被稱為島神的守護火龍建立羈絆的騎士「烈度」 之孫子。為了查明於各地發生的奇怪現象,以及回溯已故烈度的旅途,跟龍人少女「艾娜」一同離開了島嶼。
(遊戲內可以自訂主角!隨自己喜好,自訂髮型和眼睛顏色等要素吧!)
-艾娜:認識主角之祖父「烈度」的龍人族少女。為了查明異常現象的「真相」,把因被視為傳說中的火龍而受到畏懼的蛋交託予主角,並一同踏上旅途。 性格正直,忠於自我。
-納比路:週遊各地的艾路,擁有特別的長相。於流浪之旅的途中與主角相遇。熱愛冒險,總是正面思考。嘴饞貪吃,尤其愛吃甜甜圈。會指導初出茅蘆的主角。
-烈度:主角的已故祖父。為了查明各地異常現象的真相,曾與隨行獸守護火龍一同踏上旅途。
《Monster Hunter Stories 2: 破滅之翼》將於7月9日Nintendo Switch和Steam,提供亞洲版,支援繁簡中文字幕。
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MONSTER HUNTER STORIES 2: WINGS OF RUIN – Characters Vol.1
Protagonist: You're a Rider who was born and raised in Mahana, a village on a tropical island. Your grandfather, Red, forged a bond with Guardian Ratha, the revered monster who protects the island. Upon meeting Ena, you decide to leave your home with her in order to learn more about your grandfather and to discover the cause of all the strange happenings recently.
(You can customize your appearance! Express your personality with a fully customizable appearance, from hairstyle to eye color and more!)
Ena: A Wyverian girl who knew your grandfather, Red. Hoping to work together to uncover the truth behind recent environmental abnormalities, she entrusts you with a Rathalos egg supposedly containing a legendary monster fated to destroy the world. You embark on your journey together. She is honest about her feelings.
Navirou: A globe-trotting Felyne with an unforgettable face. You meet each other as he is traveling around. He is adventurous and positive. His favorite pastime is eating, and he always has room in his stomach for another donut. He acts as your guide, determined to help you as you endeavor to become a Rider.
Red: Your grandfather who passed away years ago. In order to discover the truth of the mysterious happenings, he devoted his life to traveling around the world with his Monstie, Guardian Ratha.
MONSTER HUNTER STORIES 2: WINGS OF RUIN coming 9 July on Nintendo Switch/Steam.
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몬스터헌터 스토리즈 2 파멸의 날개 - 등장인물 소개1
주인공: 열대 섬에 있는 마하나 마을에서 자란 신인 라이더. 섬의 신이라 불리는 수호의레우스와 인연을 맺었던 라이더, 레드의 손자/손녀. 각지에서 발생하는 기묘한 현상, 그리고 죽은 레드의 여정을 추적하기 위해 용인족 소녀, 에나와 함께 섬을 떠난다.
(주인공의 캐릭터 메이킹 가능! 헤어스타일이나 눈동자 색 등, 취향에 맞게 커스터마이징하자)
에나: 주인공의 할아버지인 레드를 아는 용인족 소녀. 이상 현상의 "진실"을 알아내기 위해, 전설의 레우스로서 위험시받는 알을 주인공에게 맡기고, 함께 여행을 떠난다. 자신의 감정에 솔직한 성격.
내비루: 각지를 여행하는 이상한 얼굴의 아이루. 떠돌면서 여행하던 도중 주인공과 만난다. 모험을 좋아하고 늘 긍정적이다. 식욕이 넘치고, 도넛을 좋아한다. 미숙한 주인공을 안내한다.
레드: 주인공의 돌아가신 할아버지, 레드. 각지에서 발생하는 이상현상의 진실을 밝혀내기 위해, 동료몬인 수호의레우스와 함께 계속 여행해왔다.
몬스터헌터 스토리즈 2 파멸의 날개는 Nintendo Switch와 Steam에서 7월 9일에 전 세계 동시에 발매됩니다.
同時也有2部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《SPARK-AGAIN》 Ash flame / 焰火餘燼 作詞 / Lyricist:aimerrhythm 作曲 / Composer:永澤和真 編曲 / Arranger:玉井健二、 百田留衣 歌 / Singer:Aimer 翻譯:澄野(CH Music Channel) 意譯:CH(CH...
「leave the world behind 中文」的推薦目錄:
leave the world behind 中文 在 Elecher 一粒车 Facebook 的最佳解答
#deminegara #pleastayhome #lockdown #covid_19 #请呆在家
#spreadkindness
(中文翻译如下)
[ Will you please stay at home? ]
16/3
10pm Superior: we need an extra MO to Permai Hospital urgently.
17/3
7am Received call from superior
7.30am Packing luggage
8.30am Leave to Permai
10.30am Report at Permai
It's my first day reporting myself to Permai Hospital, hospital for Covid patient. And guess what, I was welcomed with the news of first death in Johor literally 5 mins after I was briefed by my team. Yes, if anyone of you are curious about the situation now. It's havoc, it's bad, it's real now.
People are being upset the lockdown of Malaysia. I know you're healthy and think is unnecessary. But on the other side of world that you don't see, we're screening hundreds of people everyday now and having hundreds of confirmed cases daily. And there's people dying, not just the old one, but the young one, leaving young children behind. As young and fit like us.
And one of the most difficult part is to do contact tracing because of the mobility of people. And right now I'm sure there's many infected people who's not diagnosed yet and keep spreading the virus to people surrounding them. Please Malaysian, we need a favour from you. The current lockdown is only 2 weeks, which is the incubation period of the virus and enough for us to identified those who's infected previously if they stop contacting other people from now. And the contact tracing (which is just the family members) will be a lot easier. Please just stay at home, yumcha at home, no more outdoor jogging, opening your shop unnecessary or religious praying together-gether. Can we just please do this for 14 days? If we can adhere to this and identified and isolate all the cases, then the chances of un-lockdown will be higher and sooner.
People have been complaining why are we not screening them when they've symptoms. If we could, we will want to screen everyone. But our manpower and resources are getting limited now that's why there's only people who fulfil the criteria will get screened (but you can always pay to screen at private). So please stay home, will you? I know you're not scare of dying, so do I. That's why here am I working as a frontliner. But my sister cried when she knew I'm going. I was shocked and I told her I'll keep myself safe. Is your love one ready for you to die as well? If not, stay home while you can. (because I can't)
I've received lots of blessings and wishes from friends who know I'm called to be a frontliner. And know what, the biggest blessings to us is to stay healthy, stay safe and stay home. We're not blaming anyone so please let's not blame anyone but be a part of this. I can't save the world, but I am doing my little part to help the situation , and if you're with me, please do your part too and show the Malaysian spirit.
It's a difficult situation, that's why we need more gratitude than grumbles.
Be grateful if you've saved enough to go through this tough time, some people don't and perhaps you can lend a hand
Be grateful if you need to rest from work, some people don't even have job
Be grateful if you're asked to self quarantine, some people are quarantine in the hospital with no one
Be grateful if you're quarantined but still fit, someone just didn't make it today
Be grateful if your family is far but still healthy and fit, some people lost their father today
Be grateful you can stay home with family and have family bonding, some people, us are out there working day in day out in the hospital.
And we're grateful Malaysian can play a part as Malaysian now.
Malaysia need you.
We need you.
16/3 10pm 上司:我们紧急需要一名医生去Permai医院。
17/3 7am 接到上司的电话
7. 30am 收拾行李
8.30am 前往permai
10. 30am 报到
今天第一天去了新冠肺炎的医院值班。迎接我的是柔佛第一宗死亡病例。如果你们好奇现在的状态,很糟糕,很混乱。
很多人对于封国很多意见,因为会影响日常生活,尤其是对于健康的人们,根本没有必要。可是在另一个世界的我们,每天抽取上百个样本,每天上百个肯定病例,攀升速度快得吓人。而且最糟糕的是,有病人离逝了,留下年幼的孩子们。不是老年人,是和你我一样年轻力壮的青年。
而因为人民自由的活动,让我们追踪肯定病例接触过的人 (contact tracing) 遇到了很大的阻力。而照着现在的状态,很有可能很多被感染的人还未被检验。真的,我们医护人员需要你们,请呆在家好吗?在家yumcha,不要出外运动,不要开店不需要离开家祈祷。只是两个星期,让我们能在这两星期把所有感染的病患医治,避免继续互相传染,那么封国就会尽早被取消。
有人不满我们不为所有伤风咳嗽的人抽取样本。如果可以,我们也希望可以为全部人检验,但人力与资源已经逐渐消耗了,我们真的只能为那些高风险的人抽取样本。(真的担心私人诊疗所也有抽样本服务)所以,可以呆在家两个星期吗?
真的不怕死吗?我也不怕死,所以我站在了前线。可是姐姐知道我去了就担心得哭了。真的,家人朋友们也能承受你死吗?不然,请呆在家(因为我不能)。
大家知道我去了前线,给了我很多祝福。真的很感恩很被爱。但是若每一个人都能照顾自己的健康,呆在家,对我们就是最大的祝福。我不能拯救世界,但只是履行我的责任,所以若可以,也希望每个人可以履行人民的责任,我依然相信Malaysia Boleh因为人民的力量。
这个艰难时刻让我们不要再互相责怪了。
若能够有足够的储蓄度过难关,请感恩;有些人再挣扎,或许我们还可以伸出援手
若需要暂停工作,请感恩;有些人连工作都没有
若需要自行隔离,请感恩;有些人在冷冰冰的医院隔离
若隔离的你依然健康,请感恩;有人挨不过今天离逝了
若家人虽然遥远依然健康,请感恩;有人失去了爸爸
若需要呆在家,请感恩;有人,我们,在外连日连夜的再奋斗着
马来西亚需要你们。
我们需要你们。
leave the world behind 中文 在 王宇婕 Margaret Wang Facebook 的最讚貼文
我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。
希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術,尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好,想跟大家分享。
想知道之前的事可看新聞連結:
http://www.storm.mg/article/270611
親愛的大家:
我想感謝所有支持我、以及給予我鼓勵意見的每個人;同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因:我並不希望這件事情,在台北市文化局正式給予溝通管道之前就發展到無法控制的程度;我很抱歉遲至今日我才發表這篇文章,但我確實需要一些時間來沉澱彙整我心中的感受和想法,而我也需要時間及一些協助使這篇文章能夠以中文來呈現。
在我採取更進一步的行動之前,我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大;我受寵若驚的感動能夠聽見發自你們每個人內心的聲音,而我也著實感到抱歉,面對著如潮水般湧來的各種訊息,似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息,但我真的想讓你們知道,你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。
我不認為自己是一個勇敢的人,我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者,一個表演藝術家,一個教育者,而最重要的,我身為一個 "人"。我的家人、朋友及師長們,總是教導我應該為正確的事情挺身而出。
我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件,是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由,這些應試的表演者們,很顯然是被視為次等公民,或者(經驗與技能不夠成熟?)的學生等級。而與此同時,同樣非常清晰的是,街頭藝人評審制度或許是立意良善,但其審查過程的執行層面,卻是嚴重缺失連連。
藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情,但它並未做到這ㄧ點。很顯然的,一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺,有些人則深感受傷。
就算是得到全世界所有理應被如此對待的原因及理由,他們仍然感受到自己的不被尊重;因為這就是事實。
再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」,我想強調的只是這個評審街頭藝人表演的執行環節,究竟有多麼的不妥當與糟糕。
我試著回應一個反面評論者所提到的觀點:若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜,掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的,在我描述現場狀況的前ㄧ篇文章中,大家或許還記憶猶新:許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演,遑論是超過2-5分鐘的時間限制了。
而這樣的回應是否也指出了另一個值得我們去思考的問題: 為什麼我們會將它視為一種「考試」,而不是ㄧ個表演者的「試鏡」呢?
首先,這些表演者們並不是學生。事實上,許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然,我不否認也可能會有些正在學習中的族群。但,最重要的是,當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的),他們就是ㄧ個真正的表演者。」
他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分,這個身分也不應該影響或侷限他或她,作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。
所謂「考試」的這個字眼指涉著ㄧ個學術教育機構,而我們都知道台北市文化局所應該扮演的角色與作用,並非一個學術性的教育機構,也並非是用來教育藝術創作者們該知道些什麼?該怎麼表現?藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角,或許本身就有待商榷。
評審的場所是在一個公共場合,許多居民與遊客都會圍觀欣賞著表演,其中有些人或許不了解藝術;因而這些人也許會將在場的評審們,視做為某種藝術的衡量標準;試問,當這些人看到評審對待表演藝術家的行為與態度,當他們看到評審總是任意打斷演出,並且掉頭就走不帶ㄧ句回應時,人們日後還能懂得尊重街頭表演藝術家嗎?
沒錯,我們都知道這是一場「考試」,我們也很清楚這些手上拿著計分表的人們就是評審;因此,事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。
這些評審以及相關單位的人員,理應提倡藝術,並且作為ㄧ種示範與典範,讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演,就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過,但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。
我曾擔任過ㄧ些國際比賽的評審,我也曾舉辦過專業的試鏡;我從來沒有聽過關於尊敬一個人的這件簡單事情,會需要在時間充裕的前提下才能夠發生。
如果一點表情會洩漏出評審成績的好惡,其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜,因為這些都不是我想討論的重點。
我在意的是,表演者所需要的,只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否,如人飲水冷暖自知,在人與人的接觸中就能直接感受的到,著實無需仰賴規則或語言的贅述。
我作為一個藝術創作者和教育者,穿梭各地工作超過15年的職業生涯經驗,或許會因此被視為一個外國人,但我的身分就是一個台灣公民。身為一個39歲的成年人,我可以分辨何謂尊重,而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話,那他可能需要重新再思考一下,尊重對他而言意謂著什麼?
再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由,是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。
我所思考的是當一個街頭藝人遵守規定,付費且努力準備去應試時,他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容;表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌;而且就算是當做他只會唱ㄧ種語言、ㄧ首歌,如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢?
難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部,而獅子王也已經在舞台上展演了20年了嗎?許多同樣內容重複的音樂劇票房始終歷久不衰,持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌,而且幾乎都是類似的曲風,我們可曾在乎過她有沒有能力去唱中文歌呢?
ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣,ㄧ部作品如果能有五個場次的演出,可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」,而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資(不僅僅是金錢)來說,這樣的情況對藝術的生產是ㄧ種過度消耗與浪費,也並未真正教育到民眾如何去看待藝術的價值。
而最終,這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重,同時也是對於藝術的不尊重。
台北市文化局星期ㄧ曾經聯絡過我,親切向我表示將與我進一步聯絡並討論這件事情;他們要求我先將評審的照片拿掉—我答應取下照片,但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問(還請大家見諒)只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待,但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口; 自從將照片從網路上取下之後,直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話,或許純粹只是ㄧ個希望我能將照片取下的操作手法,而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。
我知道我並非一個公眾人物,而我也不能代表所有想要考取街頭藝人執照的表演者們;自從我的臉書網頁訊息爆炸之後,我就不斷的在思考這件事情,我反覆思考自己是否該繼續爭執此事,這似乎並非與我切身相關的事情,然而,身為一個藝術教育者,我卻又感受到深切的責任。
經過反覆的思考以及與朋友們的討論,我意識到不論我們的展演形式如何不同,我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞,而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變,否則我無法改變任何人。
我真心相信有些事情值得改善,也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家,但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展;更遺憾的是,這一切可能是在許多疏忽之中造就出來的環境。
許多評審過程如果能夠在尊重藝術的前提之下思考和進行,事情或許會截然不同。
只要有一點點可能去拋開面子的問題,或許也就有機會明嘹我們所期待的結果其實是一樣的。
事實上我之所以說了這麼冗長的話語,並非是要不尊敬所謂的評審或師長,而正是因為我對藝術的尊敬,使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待,而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了,但我也知道我的聲音並不是唯一的一個,我是許許多多的聲音中的ㄧ份子。
William
---------
Dear All,
I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.
Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.
I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.
I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.
Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.
It brings to the question…. why is it called an exam? Shouldn’t it be an audition?
These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.
The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.
The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.
Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.
I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.
Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?
One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.
In the end it wasn’t just disrespectful to the performers, but also to the arts.
I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.
I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.
I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.
If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.
I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.
Sincerely,
William Lü
Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government
leave the world behind 中文 在 CH Music Channel Youtube 的最讚貼文
《SPARK-AGAIN》
Ash flame / 焰火餘燼
作詞 / Lyricist:aimerrhythm
作曲 / Composer:永澤和真
編曲 / Arranger:玉井健二、 百田留衣
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation: CH(CH Music Channel)
背景 / Background - Memory - tarbo:
https://www.pixiv.net/artworks/66951851
版權聲明:
本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4911625
日文歌詞 / Japanese Lyrics :
うらぶれたシグナル 無暗に光らせ
果てない迷路 進んだってどうせ
a 9 days wonder 絡まった旋律
解かぬままリピートしたら いつまでも 疼いて痛い
満ち足りない
変わりはしない? この世界
心したいようにして 吠える勇気は 微塵もないくせに
愛されたい
すがろうとしてるの? もういいって
澱んでくだけの思いこそ解けば
夜を撃つ サイレン 夢想への SOS
全部 朽ち果てていいから
透き通った一瞬を 呼び覚ましてよ
ねえ ここから Ash flame 宿して抗え
どんな無様でも手を伸ばせ
苦い笑みも ひび割れたくらいじゃ 壊れやしない
ぐしゃぐしゃ 丸めて心を 捨てようとして
的外れのまま 耐えるのには長すぎる滑走路
託されたい 変えようとしてるよ どうしたって
だからお願い あのフレイズを繋いでみせて
ぼやけたシグナル 両手にあつめて
急かすように 紡ぎだしたストーリー
a 9 days wonder 真夜中の不文律
ひとつも置いていかないよ いつまでも 抱いていよう
夜を穿つ サイレン 瞬くは SOS
どんなに 汚れ 削られても
夢という怪物は 美しいんだよ
何度でも Ash flame 宿して刃向かおう
誰に追われても構わない
過ぎし日の cloud nine 宿命果たすまで 絶やさないよ
中文歌詞 / Chinese Lyrics :
落下深淵的破舊信號燈,僅是毫無意義與規律地閃爍著
心中不存在終點的迷宮,無論如何前進也無法改變
僅需曇花一現般的短暫,便能呈現內心糾纏成結的雜亂旋律
若不解開而任其肆意反覆迴響——便將深藏心頭隱隱作痛
「還不滿足嗎?」
「難道連一點變化都沒有嗎?這無趣的世界。」
內心故作在意一般,卻連一絲回過頭喊叫的勇氣都沒有
「我僅是渴望被愛。」
「現在還在乞求能夠被拯救嗎?差不多夠了吧?」
若能將陷至水底深淵的思緒解開的話——
在這夜晚響徹的鳴笛,將劃破夜空為夢想呼救
哪怕一切早已腐朽枯涸也無妨
在萬物沉寂,而能聽見聲音的那一瞬喚醒我吧
聽我說,就從現在起,哪怕此身由焰火餘燼所成,仍不畏抵抗
即便那是多麼不堪入目的模樣,只要伸出手——
就算僅能迎來苦澀的強顏歡笑,也不會只因些許裂痕而盡數毀壞消逝
想將蜷曲成團、早已碎裂崩壞的內心捨棄擲出
卻難以擲中目標,看來膽怯而緩和衝擊的跑道仍太過冗長
希望能受到託付,故仍試著改變紊亂的心,難道不行嗎?
所以,就拜託你了,請將那纏繞我心的旋律一同繫起
早已模糊不清的老舊信號燈,就用這雙手收集四溢的光芒吧
如此朦朧,彷彿受催促而編撰出的故事般破碎
曇花一現般消逝,於午夜的月光下不成文形
哪怕早已四散,我也不會拋下任何事物離去。不論何時,我都會緊抱所有
在這夜晚響徹的鳴笛,將轉瞬穿過夜空呼救
不論染上多少汙穢、不論被剝奪了多少
曾名為「夢想」的怪物,仍是如此令人著迷
我將不斷地化作焰火餘燼,緊握利刃奮力前行
即便遭遇他人追趕阻卻也無妨
為了重拾逝去的欣喜過往,在抵至命運終點之前,我永不停歇
英文歌詞 / English Lyrics :
The falling shabby signal recklessly sparkles.
There's no meaning keep walking in this endless maze.
A 9 days' wonder with tangled rhythm.
If you don't untie it and just let it repeatedly playing, you only receive more pain in the end.
Not satisfied.
"Still no changes in this world, huh?"
As if keeping in mind, yet I don't possess any courage to yell it out loud.
I want to be loved.
"Still begging for help? It's enough."
If I can release all those emotions precipitating like dregs in the deepwater...
The siren that blasts through the night is the SOS sent from a dream.
I don't mind if it has already died in obscurity.
Call and wake me the moment when everything is clear.
Hey, I'll resist like the ash flame existing in my body from now on.
No matter how clumsy I may look like, I'll reach out my hand.
Even if the result is a bitter laugh, it won't break just by some cracks.
I have thrown this twisted, broken heart away.
Yet I can't hit my aim, the runway that endures impact seems to be too long.
I want to be reliable; I want to change no matter what. What's wrong with that?
So please, help me connect with that phrase.
The fuzzy signal I collected with my hand.
It's obscure as if the story that fabricated abruptly.
A 9 days' wonder with midnight's unwritten law.
I won't leave anything behind; I'll hold them forever.
The siren that pierces through the night is the instant SOS.
I don't care how much it has been tainted or deprived.
The monster called "dream" is fascinating.
I'll move forward with the knife like the ash flame existing in my body, again and again.
I don't care who tries to chase and stop me.
I won't let the flame die until I fulfill my fate and regain those bygone days of cloud nine.
leave the world behind 中文 在 CH Music Channel Youtube 的最讚貼文
《Fate/Grand Order -絶対魔獣戦線バビロニア-》
Prover
作詞:milet
作曲:milet、TomoLow
編曲:TomoLow
歌:Milet
翻譯:澄野
意譯:CH
版權聲明:
本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purpose only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
https://www.facebook.com/chschannel/
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
背景 / Background - 满船清梦压星河 - ather:
https://www.pixiv.net/artworks/79415341
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4694239
日文歌詞 / Japanese Lyrics :
踏み込んだ shadow land 楽園なんてない
錆びる old remedies 確信なんてない
それでも go up the river
しがみつくだけの ladder
涙にさえ灯る火が ひとつの sign ひとつの light
明けない夜も歌が途切れないように
当てなく迷う夢がもつれないように
すれ違った足跡たち 振り返らぬように
踏み外したあなたでさえ手離さないように
I'm the prover, I am the prover
終らない世界にだって立ち向かうように
I'm the prover 命の声が
また響きだすころに あなたと I'll be there
沈まずに行く舟を
降り出した iron rain ゼロにするための pray
同じ孤独を見てた あなたならわかるでしょう
それでも go up the river
いつかまた出逢えるなら
この愛に灯る火が ひとつの sign ひとつの light
明けない夜も歌が途切れないように
当てなく迷う夢がもつれないように
すれ違った足跡たち 振り返らぬように
踏み外したあなたでさえ手離さないように
If you can't find your way (I won't give up on you)
Everything is not lost ('Cause I'm standing with you)
二度と戻れはしない世界だとして
I'm here for you (I'm here for you)
I'll live for you
I'm the prover, I am the prover
終らない世界にだって立ち向かうように
I am the prover 命の声が
また響きだすころに あなたと I'll be there
沈まずに行く舟を
どこまでも行く舟を
中文歌詞 / Chinese Lyrics :
舉足涉入夢幻的虛幻之地,卻不存在理想鄉般的樂園
也再也無法確信,過往早已鏽蝕褪色的種種補救
即使如此,面對困難與逆境仍力爭上游
哪怕只能緊抓住唯一的階梯朝上前行
照亮雙眸淚水的燈火——它是僅此唯一的指引、唯一照亮前方黯淡的光芒
祈願在白晝不會到臨的夜晚,也不會停下歌聲持續謳歌
期盼在徬徨迷惘、隨波沉浮的夢中也不再受困遲疑
哪怕是一時足跡交錯擦肩,也不再回首懊悔並執著往昔
倘若你一旦失足落下,我也不會放開早已相繫的手
我是見證者,見證你曾存在的證明
但願在沒有終點的世界我也能起身對抗、勇敢面對
我是尋求者,尋覓曾幾何時響徹的生命之聲
當其再度響徹之時,我將伴你同行
共乘永不沉覆的舟楫
傾盆降下鐵鏽般無情的剛健大雨,祈願能夠再度回到最初的過往
倘若是一同見證何謂孤獨的你,一定能夠理解吧
即使如此,面對困難與逆境仍力爭上游
要是有日能夠再度和你相遇
彼此的愛所萌生的燈火——便是僅此唯一的指引、唯一照亮前方黯淡的光芒
祈願在白晝不會到臨的夜晚,也不會停下歌聲持續謳歌
期盼在徬徨迷惘、隨波沉浮的夢中也不再受困遲疑
哪怕是一時足跡交錯擦肩,也不再回首懊悔並執著往昔
倘若你一旦失足落下,我也不會放開早已相繫的手
倘若你早已自路途中迷失「我絕不會拋棄你獨自一人。」
你尚未失去一切「因為我正陪伴在你身邊。」
即便這世界早已面目全非,再也無法回到往昔純粹
我仍會陪在你身邊「我就在你身邊。」
「我會,為你活出生命的光彩。」
我是見證者,見證你曾存在的證明
但願在尚未結束的世界我也能起身對抗、勇敢面對
我是尋求者,尋覓曾幾何時響徹的生命之聲
當其再度響徹之時,我將伴你同行
共乘永不沉覆的舟楫
同駛永不停歇的舟楫
英文歌詞 / English Lyrics :
Stepped into the shadow land, there was no paradise
The rusty old remedies, I’m not sure what’s the right thing anymore
But still I go up the river
Just hold on to the ladder
Only the flame in your tear is the sign and the light
I’ll keep singing for you, even in the endless night
I promise I won't let your dreams die
There are traces of you here, but I just walk and don’t look back
If you slip into the darkness and lose belief, I’ll never leave you behind
I'm the prover, I am the prover
Face the world, never fear anything anymore
I’m the prover, when the voice of life rings again
Let’s start from zero together (I’ll be there)
With the boat that never sinks
Iron rain just began falling from the dark sky
And I pray this is the new beginning
You know what I mean, because we were lonely together
But still I go up the river
If we can meet again someday
Only the flame in my love is
is the sign and the light
I’ll keep singing for you, even in the endless night
I promise I won't let your dreams die
There are traces of you here, but I just walk and don’t look back
If you slip into the darkness and lose belief, I’ll never leave you behind
If you can't find your way (I won't give up on you)
Everything is not lost ('Cause I'm standing with you)
Even though I can never go back with you
I'm here for you (I'm here for you)
I'll live for you
I'm the prover, I am the prover
Face my fate, never fear anything anymore
I’m the prover, when the voice of life rings again
Let’s start from zero together (I’ll be there)
With the boat that never sinks
I will go where you go